When you heard the protest songs and saw the signs in the streets, and looked at how public space transformed, it became apparent that the archive was everywhere and its mediums were diverse. So ultimately my draw to history was living through histor(ies) in the making and thinking about what historians of the future would write about these moments. One of the most exciting things about studying modern Coptic history is that there is so much that has yet to be written about it.
In an effort to support our colleagues researching Copts across disciplines, we have generated a list of archives in the United States and Egypt that are open to scholars. This general overview in no way claims to be an exhaustive list of archival repositories on modern Coptic history, but rather an introduction to some significant collections for researchers interested in consulting primary sources.
Through intimate oral histories, Coptic Queer Stories helps uncover how migration affects culture, and how community may be inspired or restrained by tradition. I believe these unheard and unique perspectives only make Coptic cultures richer, and perhaps healthier, as we move toward inclusivity.
I try to explain that Copts are not Western Christians lost in the Middle East, or living relics of “one of the oldest Church in the World.” At the same time, I don’t want to minimize the violence and discrimination Copts suffer. It is an exercise at equilibrium which is sometimes difficult.
I think the Coptic identity is a dynamic and transforming concept, and that it is our job—as historians—to show how it has changed in response to different events, challenges, and opportunities.
Drawing on themes outlined in Candace Lukasik’s recent review of the Copts in Modernity Conference, this brief essay seeks to expand the conceptualizations of Coptic reform in the modern period. Examining a Coptic organization’s growth following their non-cooperation with Protestant expectations represents an interesting alternative to dominant teleological narratives of aligning Coptic ‘renaissance’ to a Western missionary or colonial source. The story of Al-Asdiqa’ allows us to consider how such groups may have co-opted the language of modernity to define reform on their terms.
My first book, which grew out of my PhD dissertation, is called Living with Colonialism: Nationalism and Culture in the Anglo-Egyptian Sudan (University of California Press, 2003). It is as much a history of modern Africa and the British Empire as it is of the Middle East. People often ask how I became interested in a subject like this one. I think it all started when, as a child, I would pore over the maps in my father’s National Geographic atlas. The maps for Africa and the Middle East always mesmerized me because I knew so little about what they contained.
From July 13-16, St Athanasius College (SAC) and the University of Divinity (UD) co-hosted an international symposium themed COPTS IN MODERNITY in Melbourne, Australia. The symposium focused on the history of the Coptic Church and community between the 18th and 21st centuries. Below are my thoughts, and some highlights. of the discussions we shared day-to-day.
On Friday March 2nd, 2018 scholars of Modern Coptic Studies gathered at the University of Pennsylvania to discuss the state of the field and new directions in historical and ethnographic research around Copts in Egypt and its diasporas. Briefly, I would like to highlight some points that struck me as central to current discussions around Modern Coptic Studies and its future. These points are not exclusive to Modern Coptic Studies, but are also integral to larger debates around religious difference, secularism, and minorities.
We hope you find this discussion educational and are motivated to help preserve the history and heritage of your communities for future generations. Archival preservation offers many benefits to you, your family, your community, your city, and to our collective understanding of diverse immigrant communities that have, and continue to contribute to these many places we now call 'home.'