When you heard the protest songs and saw the signs in the streets, and looked at how public space transformed, it became apparent that the archive was everywhere and its mediums were diverse. So ultimately my draw to history was living through histor(ies) in the making and thinking about what historians of the future would write about these moments. One of the most exciting things about studying modern Coptic history is that there is so much that has yet to be written about it.
As a modern Egypt scholar, I aim to empower Copts as actors in their own narratives rather than subjects within geopolitical discourse. I write to normalize Copts’ Egyptianness, without placing them in a separate category as a ‘minority’.
In general, my study of Coptic identity is always framed in relation to questions of national belonging and the homeland, because I believe that you can’t understand Copts without understanding Egypt and vice versa.