When you heard the protest songs and saw the signs in the streets, and looked at how public space transformed, it became apparent that the archive was everywhere and its mediums were diverse. So ultimately my draw to history was living through histor(ies) in the making and thinking about what historians of the future would write about these moments. One of the most exciting things about studying modern Coptic history is that there is so much that has yet to be written about it.
Interview with Amy Fallas: Philanthropic Solidarities
